Jul. 7th, 2024

queenslayerbee: Laura Palmer at the end of Twin Peaks: Fire Walk With Me. She's in the red room with those curtains behind her, and the icon shows a close up of her face, illuminated by artificial light, as she has a huge, teary-eyed grin in her eyes. (Default)
Three book covers. -The Ruby in the Smoke, A Sally Lockhart Mystery by Philip Pullman. The cover shows Sally, a young blonde girl wearing a black cloack, looking at a red ruby in her hands. Behind her there's an old woman covered with a black unbrella, and a sinister house behind a mist, on a high cliff. -"El fantasma de la Ópera" by Gaston Leroux, an edition illustrated by David Chapoulet. It shows Erik standing on his box in the opera, wearing his mask, and framed by red courtains. -"Small Gods" by Terry Pratchet. It shows a man (Brutah) tied up naked to a golden turtle sculpture, multiple people watching, including Voris, a bald man in charge of that punishment, and an eagle bringing down a turtle (Om) as a god makes bolts of lightning free Brutha.
Three covers. -Unholy with Eyes Like Wolves by Morgan Dante. Two women in period clothes appear over a dark background. One is brunette, a bit older, with red eyes and visible pointy ears. The other is leaning over her shoulder, blonde, also with red eyes and bared fangs in a grin, as well as sharp, bloodied claws where she's put a hand over the other's shoulder. -Barda by Ngozi Ukazu. Big Barda, a DC Comics character, appears in the cover, looking ahead with determination, fully armoured. -Gotham Central issue 33, first of the "Dead Robin" story arc. A cop looks down to the corpse of a young body who's been dressed up as Robin.
Three comic book covers. -Superman for All Seasons, by Joeb Loeb and Tim Sale. The figure of Superman, frowning, appears over a set of houses and business in Smallville, at night during the winter. -Illustrated cover of World's Finest volume 4 issue 1, without any letters. It shows Chris Kent as Nightwing, about to put on his blue helmet, with his figure looming over an orange-ish illustration of The Penguin, Oswald Cobbelpot, grinning and holding an umbrella, as he's surrounded by multiple penguins (the animal). -The Legend of Wonder Woman. Diana, with her Wonder Woman clothes and giving her back to the audience, stands in the snow, facing a looming, giant, shadowed figure of a Titan.
 


BOOKS

  • The Ruby in the Smoke by Philip Pullman. The book was fine, but no His Dark Materials. And Sally is far from being half as interesting as Lyra. I had all but decided on not continuing the series, even if on paper I'm definitely down for some more girl detective stories in my life... but my edition included a few pages from the next installment. And those intrigued me lmao. I won't be picking it up any time soon, but I'll probably give it a try.
  • The Phantom of the Opera by Gaston Leroux. The best part of this novel, by far, were Chapoulet's illustrations. I find the concept of the story very, very appealing, but after so long anticipating reading it, I was so let down by the execution. I found the prose unremarkable and the drama underwhelming. And I fucking hate Raoul and his Madonna-Whore complex lmao. However, I liked enough of it (if most, sadly not what was in focus) that I'm still intrigued about watching the musical properly (as opposed to listening to a few songs).
  • Small Gods by Terry Pratchett. As good as every other Discworld novel, but there are two things that means it's never going to be among by favourites. One, I remain so, so uninterested in religion itself -as in, a philosophy, as in religious beliefs- that really nothing in it "hits" the way the themes in other novels do. And two... it needed women. It SO needed women smh.
  • Unholy with Eyes Like Wolves by Morgan Dante. This novella is quite a quick read, written by an indie author. It's a gothic story centered on a dishonored widow serving as handmaiden to Lady Erzsébet Báthory. It's a poly sapphic horror romance loosely inspired by Carmilla (Mircalla is the third part of the poly romance, but Noémie/Báthory was the strongest dynamic). The religious themes (specifically related to the subjugation of women) worked a lot better here, in my opinion, maybe because they felt more grounded, and they provided some of my favourite conversations in the book. The novel definitely scratched that itch I'll always have about monstrous sapphic dynamics, and I'm thankful for the recommendation ^-^

COMICS

  • Barda by Ngozi Ukazu. Very enjoyable! I know very little about this side of DC Comics, so I don't know how this YA one-shot fares in that sense, but it succeeded in making me want to read more about Big Barda and Mister Miracle (big badass hardcore woman/dainty trickstery soft man romances, come to me <3).
  • Gotham Central: "Dead Robin" (#33-36). I talked about this story arc here. It's given me brand new issues. I love it. I need to read the rest of the run.
  • Superman for All Seasons. It lives up to the hype as a Superman staple comic. Each issue is narrated by a different character: Jonathan, Lois, Luthor, and Lana, with beautiful illustrations and a great depiction of Clark that, were to be used now, I firmly believe it'd garner far less appreciation than it did then.
  • Chris Kent's appearances. I went through all of his appearances in new earth (and also the few on Earth-16; do not recommend, they do NOT get him lmao. Why the hell would he judge someone for their parentage...). He's now officially one of the characters whose erasure consist in one of the biggest fuckups of the reboot lmao. He was a great addition to the Superman lore, far better than Jon (in many ways a cheap copy that obeys to the new conventionality trends) could hope to be. *sighs*
  • The Legend of Wonder Woman (2016). Overall a pretty neat entry to Wonder Woman lore for modern audiences, which is what it clearly aimed to be. I'm sure if I was more well-read on WW I'd have issues with it, but overall I enjoyed it. Though I think it should've been gayer (I think Hippolyta/Philippus was made canon in the mainline after this run 👀).


queenslayerbee: Laura Palmer at the end of Twin Peaks: Fire Walk With Me. She's in the red room with those curtains behind her, and the icon shows a close up of her face, illuminated by artificial light, as she has a huge, teary-eyed grin in her eyes. (Default)
Last week I decided I'd make this A Thing over tumblr, since I get tagged in a lot of these WIP games. I didn't post last week's excerpt on dreamwidth last Sunday, so I'll post that one and today's now.

The first one is a little Jaytim excerpt set in what I call my "Bruce is DEAD dead" WIP. Technically an AU of Battle for the Cowl (in part), but we don't talk about BFTC in this house xD


Denial had become familiar; a shroud to wrap around himself to keep warm in the cold that permeated the city when Bruce took on Darkseid. Tim still clung to it with increasing desperation as his eyes remained stuck in the scarred slash of Jason’s neck. The other man’s weight kept him pinned against the wall, Tim’s focus turning him crossed-eyed.

The placement alone was dangerous, and it’d been obvious even to the untrained observant that it had not been a superficial wound. Batman would never risk such an injury. Not in his right mind.

Those were all truths, and Jason was a liar. He had to be, because the most fundamental truth of all, the one which Tim had known intimately ever since he set foot on the cave and breathed the charged atmosphere around Robin’s memorial–

“Bruce… loves you…” he struggled to say.

Tim felt the sharp tip of Jason’s batarang carve into his neck; it followed the exact path in Jason’s skin that had kept Tim entranced. It was a shallow cut, but Tim’s breath caught in his throat, thinking about how the slightest slip…

“Does this feel like love to you, Robin?” Jason whispered in his ear.


 
This other one, which needs a bit more context, is born out of a conversation with a discord mutual, about Jaymia in a Dollhouse AU*. Or in this case, more of a fusion/not-really-an-AU, where I'd integrate the concept of dollhouses into the DC universe (new earth edition, as always). Before the day was over I already had this whole story outlined in my head LMAO.
*for the uninitiated, Dollhouse was a sci-fi show about a shady underground corporation whose business consisted on supplying "actives" or "dolls": people who'd "consented" (ymmv) to have their memories removed for a few years, while the Dollhouse would implant them with temporary personalities and skills as per their wealthy clients request. It's one of my favourite shows ever. Ahead of its time, if you ask me.
The premise is that Mia was a young former active, with her contract getting terminated early (because she got HIV and the dollhouse is liable for it), who is determined to bring them down. Jason, in the meantime, is still an active; one the Dollhouse has sent to keep an eye on Mia, suspecting her plans. This excerpt is something I thought about for after Jason recovered (allegedly not all...) his memories.
 
Mia had the misfortune of meeting a higher than average number of scummy politicians, and yet in that moment Batman uttered the most hypocritical sentence she'd ever heard.

"I find that suspicious."

"You think a guy wanting to hide his face is suspicious?" Oliver said exactly what Mia was thinking.

"Under the circumstances? Yes. Anyone in his place would want help to remember his past life. He needs to be identified." He then added, turning to Mia, "And as long as he insists on remaining a double agent, the Dollhouse has access to him. I don't need to tell you why that's a risk."

Mia knew Adam, whatever his real name turned out to be, had his reasons to be apathetic about the idea of chasing the past that haunted him. And he might not know Batman and his cohort, but he wasn't wrong to guess that they wouldn't respect that boundary, in their investigative zeal. And she'd been to his apartment, with every mirror removed. He had more than one reason to be uncomfortable about strangers seeing his face, and Mia would shield him from the world if that's what he needed.

"His face is littered with scars," Mia snapped, "They're self-inflicted, you know? He cut his own face. But see, the Dollhouse can remove scars, quite easily. So they healed him, and he cut it again. And they healed him and he did it again, and again, and again. Until they decided maybe he was more profitable as a spy than as a whore."

Her voice could've cut through steel. Batman remained studiously impassive, but through the corner of her eye she could see that Robin, usually almost as poised as his mentor, had lost what little color his face possessed, and his expression had all the marks of a bleeding-heart.

"So if he says he'll only talk to you through a mask, that's what he'll do. Or are you planning on showing him your face anytime soon?"

And you? What have you guys been writing?

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queenslayerbee: Laura Palmer at the end of Twin Peaks: Fire Walk With Me. She's in the red room with those curtains behind her, and the icon shows a close up of her face, illuminated by artificial light, as she has a huge, teary-eyed grin in her eyes. (Default)
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